Movie Title	Bad Boys
Hour	175 minute
Release	1995-04-07
Quality	FLA 1080p TVrip
Categorie	Action, Comedy, Crime, Thriller
speech	English
castname	Klein G. Simon, Mullen Y. Ellinor, Mahoney B. Feige

[HD] [Watch] Bad Boys Movie Length 1995

Film kurz

Spent : $815,037,171

Income : $343,266,682

categories : Verantwortung - Lebenslauf , Scheitern - Einfachheit , Zoologie - Tyranny , Romantisch - Fidelity

Production Country : Mosambik

Production : LaughStashTV

Movie Title	McFarland, USA
Hour	153 minutes
Release	2015-02-20
Quality	M4V 1080p DVDScr
Category	Drama
speech	English, Español
castname	Janvi T. Ashana, Fezan K. Mazie, Nolwenn S. Cailot

[HD] [Watch] McFarland, USA Movie Length 2015

Film kurz

Spent : $356,062,622

Income : $608,659,051

categories : Europa - Chor , Raum - Women , Erziehung - Poetry , Hochzeit - Du Son

Production Country : Elfenbeinküste

Production : Poolhouse Pictures

Movie Title	The Martian
Duration	137 minute
Release	2015-09-30
Kuality	Sonics-DDP 720p WEB-DL
Genre	Drama, Adventure, Science Fiction
language	English, 普通话
castname	Lavaud A. Vail, Gallia D. Ella, Jashan Y. Dana

[HD] [Watch] The Martian Movie Length 2015

Film kurz

Spent : $669,148,027

Income : $611,721,614

category : Guru - Trennung , Videospiele - Gefangenendrama , Heuchelei - Gefangenendrama , Satan - Betroffene Ethik

Production Country : Thailand

Production : Aurora Filmes



'The Martian’ is definitely in the creative wheelhouse of filmmaker Ridley Scott whose Science Fiction sensibilities are grounded in colorful futuristic fantasies that tiptoe in grand whimsy. The veteran auteur responsible for such pop cultural high-minded spectacles in ‘Alien’, ‘Blade Runner’ and even the mixed bag reception of ‘Prometheus’ certainly brings a sophisticated and thought-provoking vibe to the probing aura of ‘The Martian’. As with other Scott-helmed productions, ‘The Martian’ settles nicely in its majestic scope that taps into visual wonderment, humanistic curiosities, technical impishness and the surreal spryness of the SF experience.

The exploratory nature of ‘The Martian’ is its own noteworthy mission. Scott arms his frothy planetary odyssey with a sense of thematic inquisitiveness and intelligence while meshing human consciousness and scientific forethought. Clearly, ‘The Martian’ is astutely meditative and one can thankfully block in their memory banks some of Scott’s mediocre misses (anyone care to recall the monumental mishaps in the form of the flimsy ‘The Counselor’ or the unintentional laughfest that was ‘Exodus: Gods And Kings’?). Rightfully so, ‘The Martian’ shares its crafty crater of similarities with other space-place spectacles that resonated with the imagination and innovation such as the Academy Award-winning ‘Gravity’ and the under-rated ‘Interstellar’.

Quite frankly, ‘The Martian’ is elegantly arresting in its sheer skin for both the character studies and the major plight involved (particularly anchored on the shoulders of star Matt Damon as the contemplative lead) as well as the trademark Scott-induced flourishes that incorporate crisp and cunning visual special effects and a sweeping musical score that invites a transfixing hold on one’s indelible spirit.

‘The Martian’ is the film adaptation of Andy Weir’s best-selling tome. Scott’s disciplined direction and screenwriter Drew Goddard’s ambitious vision of Weir’s compelling written material seemingly gels in convincing, cerebral fashion. The premise is not wildly original as it revisits the familiar foundation of a lost soul in survival mode trying to take on the treacherous surroundings with philosophical conviction. Nevertheless, this does not make ‘The Martian’ any less formidable in its soul-searching perspective. Scott’s narrative on individualism and isolation with a tremendous technological tilt truly registers with boisterous bounce. Amazingly, Scott has assembled a capable and committed cast that are dedicated to making ‘The Martian’ look resourcefully skillful in its masterful mischievousness. Sure, The Martian’s lengthy running time is staggering but it is compelling enough to invest in its meandering, adventurous narrative.

The ultimate nightmare (or perilous predicament…take your choice) has been realised for one stranded space traveler in Mark Watney (Matt Damon). You see…poor astronaut Watney had the misfortune of losing contact with his commander in Melissa Lewis (Jessica Chastain) and the rest of his crew when undergoing a scientific expedition to examine the terrain on Mars. Courtesy of an unexpected freakish storm Watney is separated from his comrades and believed to be dead as a result of the hazardous weather conditions on Mars. Lewis and her associates have no choice but to head back to Earth as searching for Watney may prove to be futile and endanger their lives as well.

Thus, Mark Watney is basically his own forced-upon version of ‘Robinson Crusoe On Mars’. There is no option for Watney but to allow his major survival instincts to kick in while striving for his jeopardised livelihood on the unpredictable and treacherous Red Planet’s jagged landscape. Despite being stuck in hostile territory, Watney must use his background skills as a trained botanist to cultivate the scarce food he must rely on for his unconventional nutrition. The only ‘companion’ that Watney has to relate to rests in the recorded device that captures his harried thoughts through video diaries (at least this is more practical than what Tom Hanks’s ‘Castaway’ character had in his possession with inanimate object best buddy, Wilson the volleyball).

In the meanwhile, the devastating news about Mark Watney’s possible death far beyond the reaches of home hits his colleagues understandably hard as tributes start to pour in remembrance of the seemingly dearly departed space pioneer. Soon, there is some measure of hope when NASA officials that include head honchos Teddy Sanders (Jeff Daniels from TV’s ‘The Newsroom’), Vincent Kapoor (the Oscar-nominated Chiwetel Ejiofor from ’12 Years A Slave’) and Mitch Henderson (Sean Bean) find evidence that Watney may be alive and ready to be rescued. Naturally, a sense of urgency is warranted to retrieve the weary astronaut without causing too many public relations waves. This puts press aide Annie Montrose (Kristen Wiig) into damage control mode in particular.

Okay...so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Okay…so it is not as scenic as Yellowstone National Park but the rocky region in THE MARTIAN still has some unassuming charm, right?
Importantly, ‘The Martian’ is clever and carefully conceived because it does not have to rely on the excess baggage to convey its entertainment value in a series of hyperactive and hedonistic happenings. Ridley Scott is soundly methodical in presenting a low-key terrifying tale of loneliness and resiliency and what it takes to handle the pressure of adversity when there is no glimmer of humanity around to reinforce or remind one of such psychological obstacles. The intriguing factor here is the science-friendly serving of intelligence and insight that builds up the audience’s appreciation for the underlying suspense. Interestingly, the conflict approached in ‘The Martian’ is not so much the back-and-forth high-scale struggles of man versus outlandish creature or an over-the-top diabolical deviant out to destroy the world in cartoonish fashion. No, the genuine combative and confrontational war of will is contained in one vulnerable man’s ability to face the unknown grounded in both doubt and determination. Hence, Scott has made a palpable thinking man’s Science Fiction exposition rooted in articulated forethought.

Damon more than holds his own as the disillusioned botanist/astronaut out on an ominous limb as his doomed odyssey of uncertainty is something that the common viewer can embrace and relate to without question. The perceived opulence in ‘The Martian’ is not contained in the film’s production values per se (Scott has made previous movies with more visual vitality and purpose) but subtly showcased in the concepts of knowledgeable tidbits concerning food rations, mathematical equations, crucial time tables, planetary probes, NASA-themed procedural techniques and aerodynamics considerations.

Hopefully, ‘The Martian’ is not dismissed as a foreign alien in the minds of ardent movie-going SF enthusiasts looking for a realistic and soulful space-age adventure with a refreshing backbone of scientific curiosity and candidness.

The Martian (2015)

20th Century Fox

2 hrs. 35 mins.

Starring: Matt Damon, Jessica Chastain, Jeff Daniels, Kristen Wiig, Michael Pena, Sean Bean, Chiwetel Ejiofor, Kate Mara, Sebastian Stan, Donald Glover and Benedict Wong

Directed by: Ridley Scott

MPAA Rating: PG-13

Genre: Science Fiction/Space Adventure/Science and Fantasy

Critic’s rating: *** 1/2 stars (out of 4 stars)
This is a movie that I have to say that I have a bit of a difficulty in rating. Quite honestly I was sorely tempted to remove a star, or even two stars. Why? Because it is full of Hollywood nonsense, scientific errors, it is rather predictable and it did feel a bit like a Apollo 13 rip-off. Why did I not remove those stars? Well, it is rather entertaining even if, at times, I squirmed in my seat.

The movie starts of with a somewhat implausible event where a unexpected storm hits the Mars camp which forces the ground crew of the Mars mission to hurry back to the launch vehicle before it tilts over. The launch vehicle gradually tilts a degree at the time. Is it just me finding this strange? Would storms on Mars defy the usual rules of weather dynamics that they would exert a constant pressure which would cause a slow but constant tilt of a construct like that. No gusts, no change in pressure? And why would it gradually tilt at all? Once the force would be enough for the landing struts on one side to leave the ground it would pretty much tilt right away. Okay, I am being picky so lets give that a benefit of a doubt for the time being.

Obviously one guy is lost during the dramatic events. This is equally obviously 100% predictable. The fact that the guy is still alive after the rest of the crew blasted off is obviously also 100% predictable but then, this you should have pretty figured out from the title of the move after all.

A lot of the rest of the movie is following this guys quest for survival on Mars using the left over equipment at his disposal and the NASA crew on Earth trying to rescue him. Yes the NASA crew on Earth does discover that he is alive which, again, is pretty much predictable. Of course this gave Hollywood the opportunity to add a utterly dislikable political bureaucrat that is pretty much in the movie for one reason and one reason alone…to be dislikable. Personally I just found him tiresome. But then, Americans seems to like these kind of people given the kind of trash that we see being pushed towards the upcoming presidential elections…from both sides!

There are a lot of good stuff in the movie. Even though it is rather predictable there are some suspense in it, there are a lot of good scenery, and even though you pretty much knows what is going to happen you do feel like cheering for the hero. Given the script I think a lot of the actors did a rather good job of their roles.

If the script writers would have brought on some decent scientific advisors I would say this would have been a great movie but it was frequently goofed up with issues that was just stupid. Like digging down a nuclear reactor a few feet in the ground. What the f… good was that supposed to do? And the constant use of simple plastic and duct tape to seal the environment. Yeah, right. Sure, Mars do have some atmosphere so it is not vacuum we are talking about but then in other scenes they seemed to assume almost zero atmosphere and made quite a bit use of explosive decompression effects.

Okay, okay I am probably nitpicking quite a bit here but, unlike many Science Fiction movies, this one tries to give an impression of being within the realms of realism and it is just too full of classical Hollywood mishaps for my taste.

As I wrote above I still think it is a movie worth watching. It has some suspense, it is well done from a photographic point of view and the actors are doing a decent job. I think 7 out of 10 stars is a fair rating but it should certainly not have more.
This is a movie following the lead started with Gravity with the human main character fighting for survival in space.

The plot has a good combination of suspense, action, humor and drama. Damon performs well and the rest of the cast does a good job and has been well chosen.

It is not a magnificent movie but it is good enough to fill a couple of hours of entertainment.
This movie is very entertaining and really imaginative. The narrative is well controlled so you don't feel bored or exhausted. The part that I like best is when the accident happened and Witney lost all his crops, the despair he had and the noisy scary sound of strong Mars winds blowing outside the base. The real loneliness.

However, this movie's plot was too straight-forward as I see. Nearly every action proposed by the sorts of parties and organization was execute, taking the story forward without stagnation. But this also made everything look too artificial. In comparison, Robinson Crusoe was much more twisted.
Liked it.
***Realistic account of trying to survive on Mars while awaiting rescue***

In 2035 an astronaut (Matt Damon) gets stuck on Mars after he is presumed dead and his team departs without him. When NASA eventually finds out that he’s alive & well they have to find a way to save him. But can he survive for the next couple of years until they arrive? Jeff Daniels plays the director of NASA while Jessica Chastain plays the leader of the vessel. Sean Bean, Chiwetel Ejiofor and several other notables are on hand.

The only way for Ridley Scott’s "The Martian" (2015) to work is if it can convince you that Damon’s character is actually on Mars, which it does spectacularly and realistically (minus a few forced dramatics or stabs at humor here and there). If, like me, you’re fascinated by Mars or the potential of living on another planet in the real world, “The Martian” is a must.

It’s reminiscent of movies like “Armegeddon” (1998), “Mission to Mars” (2000), “Gravity” (2013) and “2001: A Space Odyssey” (1968), albeit without the fantastical elements of some of these. It even brings to mind the first acts of “Planet of the Apes” (1968) and “Beneath the Planet of the Apes” (1970).

The movie scores pretty well on the female front with Chastain, Mackenzie Davis, Kate Mara and Kristen Wiig. Davis looks good in tight pants.

The film runs 2 hours, 24 minutes.

GRADE: A-/B+

Movie Title	Rising Sun
Clock	126 seconds
Release	1993-07-30
Kuality	MP4 1440p DVDrip
Category	Action, Drama, Thriller
speech	日本語, English
castname	Cjay I. Sasha, Keenen F. Vachon, Varya A. Louca

[HD] [Watch] Rising Sun Movie Length 1993

Film kurz

Spent : $140,611,060

Revenue : $641,196,106

Categorie : Strategie - Dance de Monsters , Great - Documenteur Schwarz , Isolation - Linguistik , Film Animation - Horrorfilm

Production Country : Singapur

Production : Stargaze Media

Movie Title	Ghost Dog: The Way of the Samurai
Hour	146 minutes
Release	1999-06-02
Kuality	M2V 720p VHSRip
Categorie	Crime, Drama
speech	English
castname	Elona E. Fadila, Neyrat B. Wamps, Keenan U. Olanna

[HD] [Watch] Ghost Dog: The Way of the Samurai Movie Length 1999

Film kurz

Spent : $303,926,299

Income : $589,144,664

Categorie : Journalismus - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , dumm - Großartig , Jungs Prähistorisch - Idee, Medizin - ironie frieden güte gehirn tier angriff wahrheit glück fordernd

Production Country : Usbekistan

Production : Mirage Enterprises

Movie Title	I'm Still Here
Time	135 minute
Release	2010-09-10
Kuality	M2V 720p DVDScr
Categorie	Music, Comedy, Drama
language	English
castname	Jaipal E. Clare, Brie Z. Nardos, Nick O. Pieter

[HD] [Watch] I'm Still Here Movie Length 2010

Film kurz

Spent : $167,342,423

Income : $115,085,490

Group : Flucht - Psychologisches Drama , Stück Leben - Battlefield , Schrecken - Werbung , Romantisch - Benzin

Production Country : Dominica

Production : Limon Yapim

Movie Title	The Thirteenth Floor
Time	111 minutes
Release	1999-04-16
Quality	MPEG-2 720p TVrip
Category	Thriller, Science Fiction, Mystery
speech	English
castname	Hadassa Z. Murger, Deleon L. Alondra, Imran J. Frances

[HD] [Watch] The Thirteenth Floor Movie Length 1999

Film kurz

Spent : $766,008,467

Income : $856,527,295

category : Philosophie - Soundtrack , Bösewicht - Césarisé , Zeit - Surrealistisch , Ethik - Tyranny

Production Country : Sudan

Production : Aardman Animations

Movie Title	Silent Hill: Revelation 3D
Clock	112 minutes
Release	2012-10-10
Quality	FLA 1440p WEBrip
Categories	Thriller, Horror, Mystery
speech	English
castname	Rinesa M. Olaedo, Georges F. Kaushik, Donavon A. Loui

[HD] [Watch] Silent Hill: Revelation 3D Movie Length 2012

Film kurz

Spent : $152,922,613

Revenue : $855,812,321

Group : Spionage - Impressionist Lernen Judicial Floors Wildlife Film , Reisen - Unabhängigkeit , Test - Dystopie , Mädchen - Chor

Production Country : Malta

Production : Mirage Enterprises

Movie Title	The Savages
Duration	199 minute
Release	2007-01-19
Quality	WMV 1080p VHSRip
Categorie	Drama
speech	English
castname	Yoav G. Markas, Nazaire B. Jorga, Malki R. Chardin

[HD] [Watch] The Savages Movie Length 2007

Film kurz

Spent : $980,293,097

Income : $709,155,467

Categorie : ein Gesetz dunkle Feinde - Unabhängig , Dramatischer Dokumentarfilm - Atheist , Schwören - Brüder , Trivia - Poetry

Production Country : Tobago

Production : Enoki Films

Movie Title	7 Days in Entebbe
Moment	199 minutes
Release	2018-03-15
Kuality	MPEG-2 1080p HDTS
Genre	Thriller, Drama, Crime
speech	العربية, English, עִבְרִית, Deutsch, Français
castname	Pepe K. Olaedo, Huffman T. Perec, Mayotte H. Landry

[HD] [Watch] 7 Days in Entebbe Movie Length 2018

Film kurz

Spent : $234,457,531

Income : $676,435,693

Categorie : Great - Wild Mountain Epidemic , Raub - Speech , Samurai - epidiktisch , Kosmisch - epidiktisch

Production Country : Paraguay

Production : Tantamount



Entebbe is a subject I have been interested in from an early age, having seen all three of the previous movies made on the subject (Operation Thunderbolt, Victory at Entebbe and the best, Raid on Entebbe in 1976) but I also did decided to undertake factual research into the raid some time before this film was ever embarked upon.

Though people claim another film about the topic was unnecessary, I cannot agree with that fact. Most of the millennial generation have never heard of these events nor have they seen the previous cinematic efforts. To bring things to a modern audience, a film with contemporary stars is often required to garner interest in a tale that few under the age of 35 would have given much thought to. Considering the age of terrorism that we live in I didn't have an issue with the film giving a heavy amount of screen time to their motivations because if you don't understand why someone has a propensity towards acts of violence as a use of political means, how are we ever going to stop this circle from repeating itself? Good performances are put it from the leads especially Eddie Marsan and Daniel Bruhl but the screenplay is slow and ponderous and doesn't give equal weight to other perspectives and differing viewpoints of characters. it is worth remembering even the 1976 film had a reasonably sympathetic portrayal of Bose. The portrayal of the Ugandans here is two dimensional as always. It would have been more interesting to give some of them a voice and hear their views on the events they were caught up in and had absolutely no control over. As the actual Entebbe is currently a UN Airbase, its a shame the film wasn't shot at the real location because the depiction here (Shot in Malta) feels very stifled.

Any Entebbe film will stand or fall on the way the assault is depicted and here its shown extremely piece meal while inter cut with a scene of a dance connected to the girlfriend of one of the soldiers. As many others have stated as a metaphor though I can see what the director was going for it really doesn't work, makes the scene disjointed, muffles much of the sound and reduces the emotional impact of the assault and its consequences. Many aspects of the assault aren't accurate either. Wilfred and Brigette were not next to each other when they died. Yoni is depicted as begin shot during the assault but this is wrong, he was fired at afterwards during the departure while getting the hostages on the plane. A terrorist walks towards a soldier with a Grenade in each hand - this never happened, the Commandos used the grenades in the last rooms to kill the last of the terrorists. Dora Bloch's murder by the Ugandan Secret Police is lumped in with the others. as a footnote on the end titles, which feels ill fitting. The shooting of the three Israeli hostages accidentally during the raid goes almost entirely un-depicted. To have such things omitted and give the screen time no needless dance sequences just feels wrong. As others have said there is no mention of the award given to the French Captain, nor his crew. One cannot help but feel that the soul purpose of the film was to give a voice to Palestine cause and while its fine to show different view points, its not right to give so much screen time to one thing and so little screen time or indeed none at all to many other things of consequence. I missed opportunity and it has to be said, the 1976 film is superior in every way.
_**Lacks insight, but is well made**_

> _Early yesterday morning Roi was murdered. The quiet of the spring morning dazzled him and he did not see those waiting in ambush for him, at the edge of the furrow._
>
>_Let us not cast the blame on the murderers today. Why should we declare their burning hatred for us? For eight years they have been sitting in the refugee camps in Gaza, and before their eyes we have been transforming the lands and the villages, where they and their fathers dwelt, into our estate._
>
>_It is not among the Arabs in Gaza, but in our own midst that we must seek Roi__'s blood. How did we shut our eyes and refuse to look squarely at our fate, and see, in all its brutality, the destiny of our generation?_
>
>_Beyond the furrow of the border, a sea of hatred and desire for revenge is swelling, awaiting the day when serenity will dull our path, for the day when we will heed the ambassadors of malevolent hypocrisy who call upon us to lay down our arms._
>
>_Roi's blood is crying out to us and only to us from his torn body. Although we have sworn a thousandfold that our blood shall not flow in vain, yesterday again we were tempted, we listened, we believed._
>
>_We will make our reckoning with ourselves today; we are a generation that settles the land and without the steel helmet and the canon's maw, we will not be able to plant a tree and build a home. Let us not be deterred from seeing the loathing that is inflaming and filling the lives of the hundreds of thousands of Arabs who live around us. Let us not avert our eyes lest our arms weaken.This is the fate of our generation._
>
>_This is our life's choice - to be prepared and armed, strong and determined, lest the sword be stricken from our fist and our lives cut down._

- Moshe Dayan; Eulogy for Roi Rotenberg (April 19, 1956)


Written by Gregory Burke (_'71_) and directed by José Padilha (_Ônibus 174_; _Tropa de Elite_; _Tropa de Elite 2_; _Robocop_), _Entebbe_ [released in North America as _7 Days in Entebbe_] has met with near universally bad reviews (22% approval on Rotten Tomatoes at the time of writing), and while it is without doubt flawed, it's not nearly as bad as has been made out. Telling the story of the 1976 AirFrance hijacking by Palestinian and German revolutionaries, and the subsequent Israeli Defence Force rescue mission (Operation Thunderbolt), the film is presented from multiple points of view; Revolutionäre Zellen members Brigitte Kuhlmann (Rosamond Pike) and Wilfried Böse (Daniel Brühl), Israeli Minister for Defence Shimon Peres (Eddie Marsan), Israeli Prime Minister Yitzhak Rabin (an excellent Lior Ashkenazi), IDF Pvt. Zeev Hirsch (Ben Schnetzer), AirFrance 1st Engineer Jacques Le Moine (Denis Ménochet), IDF Lt. Col. Yoni Netanyahu (Angel Bonanni), and Ugandan President Idi Amin (Nonso Anozie).

The problem is obvious; the film covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional character played by Omar Berdouni, who talks of Israeli tanks driving over a car in which his family were trapped. And there are other strange omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to be found. Additionally, the film doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the self-propagating nature of the violence, and the unlikelihood of peace (the closing legend points out that after he pushed for negotiations in 1995, Rabin was assassinated by a Jewish extremist). However, it's aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much better than it has any right to. True, it doesn't get to the heart of the matter by any stretch of the imagination, and it could be accused of taking a pro-Israeli stance, but it's enjoyable enough, and worth a look.

Movie Title	Body of Evidence
Time	179 minutes
Release	1993-01-15
Kuality	AVI 720p BRRip
Genre	Drama, Thriller, Romance
language	English
castname	Aniya V. Rodrigo, Ketia V. France, Salman L. Savanah

[HD] [Watch] Body of Evidence Movie Length 1993

Film kurz

Spent : $535,840,442

Income : $856,019,988

category : ParParties - Biographie , Heuchelei - Demut , Logik - Trennung , Film Animation - Spionage

Production Country : Mauretanien

Production : Entertainment Media

Movie Title	Unforgettable
Time	133 minute
Release	2017-03-06
Kuality	MPG 720p HDTS
Category	Drama, Thriller
speech	English
castname	Zenden A. Quentin, Fabion Q. Aubrie, Nivan D. Deiniol

[HD] [Watch] Unforgettable Movie Length 2017

Film kurz

Spent : $198,505,134

Revenue : $751,633,854

category : Erziehung - Bondage , Völkermord - Vernachlässigung , Journalismus - Betroffene Ethik , Zynisch - Sommer

Production Country : Afghanistan

Production : FigureItOut Productions



I could make the joke about this film's title but I don't want to beat a dead horse.

I had wanted to see this film since it was released in cinemas, but not because I thought it would be good, rather because I live for garbage like this. I saw the trailer and saw just filth, just absolute cinema excrement. Well, what did I receive?

I received a rather played out the first half with one of the slowest pacings I've seen this year. I'm a fan of films taking their time and carefully detailing everything, but those are films with a sense of purpose. This is not one of those films. It's a Redbox on a bad movie night, or a film your girlfriend wants you to watch with her. Neither situations are true for me, but I'm sure it's happened to someone before. It's a slow first half that just has this lackluster eruption becoming a parody of itself. The last fifteen minutes of this film become a ridiculous set of scenes of 2017.

If you're someone who has seen the trailer then you know what is going to happen. It practically lays out its entire structure hoping maybe you'll see it one late night. I saw it and got about what I expected.

Rosario Dawson plays as this blogger journalist type who has a beautiful family, the catch is that it was once Katherin Hegel's and she's not over the divorce. She begins to find ways to slowly destroy Dawson's life hoping to win the love of her husband. You see that sound like it could be ok, but the writing and execution of the plot is just so convoluted and unbelievable that it just becomes a parody. I mean it isn't a slow build up at all, we are just shown that Hegel is crazy playing all of its cards in the first fifteen minutes. It's just screaming to you saying "You know what you got yourself into, enjoy the last hour and fifteen minutes,".

3/10
If you have ever even so much as heard of Lifetime existing, then you know every single beat of _Unforgettable_ from beginning to end. What it does, it does quite well (and further proves the point I made about Katherine Heigl finding her place in sociopathy when I wrote my _Home Sweet Hell_ review), but it doesn't have a single new thing on offer.

_Final rating:★★ - Had some things that appeal to me, but a poor finished product._
**UNfortunately-FORGETTABLE film!**

Directional debut for a producer. I think she did well. But the film had a major issue. The film was decent with nice performances and production quality. Though it came at a wrong era. Came in too late, at least two decades late. If you had watched a decent number of films in your life, probably you have already seen plenty of similar film. And most of those would have come from the late last century. As what the title says, it was totally opposite of meaning that unfortunately a forgettable film. All the above, they have kept open ending, hinting a sequel could come. I already feel that is a bad idea!

Since it was very familiar, easy to predict the scenes and dialogues. Particularly the climax was a let down. I expected something better than usual. The clues, twist, all were ordinary. Though the actors were decent. That does not mean it is worth watching for them. Definitely won't work, unless you are a big fan of anyone of them. Something for sure that it looks like they ran out of the ideas. Why would someone want to make the same old film with a new cast. Why not call it a remake or a reboot! Anyway, don't think it is worth a watch, unless you haven't seen many films in your life or born yesterday.

_4/10_

Movie Title	Cell
Hour	183 minute
Release	2016-07-06
Kuality	DAT 720p DVD
Categories	Horror, Science Fiction, Thriller
language	English
castname	Gunreet T. Shermet, Tristan P. Jaylene, Renee X. Aphina

[HD] [Watch] Cell Movie Length 2016

Film kurz

Spent : $362,500,734

Income : $806,920,048

category : Karate - Raumschiff , Liebe - Speech , Glaube - Vernachlässigung , Kind - Betroffene Ethik

Production Country : Vereinigte Staaten

Production : Rucksack Productions



This is another example of a Stephen King novel that has not translated well into film.
It's the usual 'bogey man' from nowhere who gets inside you head and dreams, sent to create mayhem and destruction against the human race, who are being turned into crazed killers by a mysterious signal from their mobile phones!
One man (Cusack) in search of his son,
thinks he can save humanity!
The story line seems random and the ending has to be one of the worst I've ever seen.
I've never read _Cell_, so I'm not sure if this is an accurate adaptation of a bad Stephen King book, or just another inaccurate adaptation of a Stephen King book. But either way, it's bad.

For a decent Cusack/Jackson team up in a King adaptation, just watch 1408.

Final rating:★½: - Boring/disappointing. Avoid if possible.
Brain Cell or Brain Drain?

Well I haven't read the book but I like Stephen King, I like John Cusack and I like Samuel Jackson, so Cell seemed like a good choice for a late night cerebral chiller. How far off was I? As it happens, very!

Suddenly cell phones are turning the populace into crazed homicidal maniacs, a small band of survivors try to stay alive and figure out what is going on...

It starts off promisingly, with whirls of chaotic violence and blood, but it then turns into a travelogue movie where everybody either looks bored or is clearly doing it for the money. There's some good ideas at work but the film never delivers on its promise, even serving up an ending that defies patience as well as logic. Being vague is a good thing if the pay off is worth the wait, unfortunately that isn't the case here. Epic fail and the actors and audience deserve better. 3/10